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The Last Duel Full Movie Watch Online, Official Ratting 8.3 Release October 1 United States, canada The Last Duel

The Last Duel Movie INFO

Release Date:
Rating: 7.9
Directed by
Ridley Scott
Written by
Nicole Holofcener, Matt Damon
Based on
Jodie Comer, Matt Damon, Ben Affleck, Adam Driver, Clare Dunne, Harriet Walter, Marton Csokas, Zeljko Ivanek, Alex Lawther, Nathaniel Parker, Clive Russell, Michael McElhatton, Adam Nagaitis, Sam Hazeldine, Caoimhe O'Malley
Germany, United States of America, United Kingdom
20th Century Studios, Pearl Street Films, Scott Free Productions
English, Français, Polski, Deutsch, svenska, Español, Pусский, български език, Italiano, Português, ozbek, 한국어/조선말, Slovenčina, ελληνικά, Український, Magyar, עִבְרִית, Nederlands, 普通话, Português, ქართული

The Last Duel story told from three different points of view, revolves around a noble woman (Jodie Comer) who in 14th century France. The Last Duel decides to testify against her husband's best friend (Adam Driver) (Matt Damon) because of a rape, which will lead to the fate of the three being decided in a duel to the death.

(2021) Watch NowMAIN ACTORS

Director Ridley Scott. Cast The Last Duel Matt Damon, Adam Driver, Jodie Comer, Ben Affleck, Harriet Walter, Marton Csokas, and Nathaniel Parker. Screenplay: Nicole Holofcener, Ben Affleck and Matt Damon. Photography: Dariusz Wolski. Edition: Claire Simpson. Music: Harry Gregson-Williams. Duration: 152 minutes.

The good and bad people of the city have The Last Duel Full Movie Watch Online together to The Last Duel witness the social event of the moment: a ritual that was considered dead, but has risen to resolve the insurmountable differences between two men. In a mud field bounded by four stands, Jean de Carrouges and Jacques Le Gris are going to fight in a mortal combat. In other words, when it ends, only one will be left alive. Dramatic encounter that serves as a prelude to a performance that wonders, for the two and a half hours to come, how the hell did it get to this point.

The year of this in media is 1386 and the place is Paris, a city still under construction. And at the very moment I am writing these lines, Ridley Scott's film career is a kind of circle as perfect as the point where, right now, it begins and ends. Forty-four years after The Duelists, their impressive debut in which Keith Carradine and Harvey Keitel were condemned to cross their respective paths in a violent way, comes The Last Duel, a historical drama where Matt Damon and Adam Driver are exactly the same the same.

Moments before the two horsemen make their spears collide, the film takes us back a few years, when what united them was not that irreparable resentment, but a friendship that, The Last Duel at this time, seemed unbreakable. And now yes, we move forward in time. One scene leads to the next and, between one and the other, days, or weeks, or even years have passed. Everything is progressing at an insane speed, to the point where a certain sense of uncontrol is imposed. But it is only appearances, which, as we well know, are deceiving. Suddenly, a situation of high tension occurs and, when it seems that it is going to explode, we jump again in time.

“What happened here?” We have to continually ask ourselves. And to clear up any doubts, there is no choice but to attend to the story of who says he has seen everything. Jean de Carrouges and Jacques Le Gris pledge allegiance to each other and, in the blink of an eye, wish each other death. "Why?" We ask again, and there we are, once again, attending to the explanations of another character; from another patch in a narrative that has purposely decided to move away from omniscience. The point is to deny the existence of a single (and therefore irrefutable) truth.

There are many, more so on issues that call for controversy. Although, of course, the normal thing is The Last Duel that there is only one that matters. This is the search that motivates the jumps, the comings and goings in which The Last Duel moves. The bulk of the film is divided into three episodes, each one dedicated to one of the pieces whose fate depends on the final result of the contest that has served as the opening. On one side is Jean de Carrouges and on the other Jacques Le Gris, we already know ... but it is that in the middle of it is Marguerite de Carrouges, wife of the first, who swears that the second has raped her.

The truth of what happened is tilting, as it did in Rashomon, by Akira Kurosawa, depending on who is in possession of the narrative; of a story that is brandished like a double-edged sword. The last duel is a cinema of repetitions and variations; of those details that are loaded by the Devil himself. As if it were a trial (as in fact the homonymous novel by Eric Jager is posed, adapted here from a script written by Matt Damon, Ben Affleck and Nicole Holofcener), we are invited to inspect in detail the indications, the evidences and, of course, the testimonials.

The scenes that mark the turning points in this drama are revisited, yes, each time from a different The Last Duel point of view. From a perspective that conditions everything we see and hear. It matters who speaks, of course, and this is why listening to everyone is of the utmost importance. Even those people who want to be deprived of their own voice. Especially people who want to be deprived of their own voice. Moving in the sands of that period cinema that calls for epic, Ridley Scott makes the wise decision to leave the spectacle for more suitable occasions.

The Last Duel is a film that relies mainly on the text and the acting cast, The Last Duel but also on a staging that knows that the most memorable clashes are decided in short distances. Indoor cinema and close-ups; there where the intimate sphere can become the worst of prisons. One of the few general shots that we see reveals a Notre-Dame cathedral with its skeleton still exposed. And, indeed, the action takes place during the lifting and consolidation of the foundations of that temple for some ... and prison for others: patriarchal society (and rhetoric).

Where there is no love, only the honor of the males, of the owners of all this: a castle, some fields, an army, a woman. There, amidst so much rubble (moral) rises the figure of Marguerite, incarnated by Jodie Comer. The one that matters the most. The only one that matters. Accompanying her is a director who, at 83 years of age, meets the most masterful version of him. Bestial only when he wants to hurt the one he hurts; Attentive and content the rest of the time, so that the portrayed acts explain themselves. Because a teacher is the one who knows how to listen; who lets talk.

Matt Damon and Adam Driver face off in a fight to the death in "The last duel", the Ridley Scott film that has brought the The Last Duel echoes of #Metoo to 14th century France on the last day of the Venice Film Festival, where it is screened out of competition.

Based on true events, recounted by Eric Jagger in the 2004 essay of the same title, the script writing has reunited Matt Damon and Ben Affleck, who reserves a supporting role, more than twenty years after "Good Will Hunting. "(" The indomitable Will Hunting "), for which they got an Oscar for best original screenplay.

"The process has been totally different," Damon said at a press The Last Duel conference, "the way we wrote in the 90s, when we were in our twenties, was very inefficient, we understood characters, but not structure, and we wrote thousands of pages that we never use. "

"Considering the amount of time we invested we were reluctant to repeat Official Ratting 8.3 Release October 1 but this time it was all very fast, in six weeks it was ready," he added.

It was the last trial by combat held in Paris, in 1386. Jean de Carrouges (Damon) is an experienced gentleman from a respected family who fights for power and position; Jacques Le Gris (Driver), favorite of the court accused of the crime, and Marguerite de Carrouges (Comer), a heroine ahead of his time.

"It is a classic story in terms of narrative: faced with a great injustice, a woman decides to The Last Duel raise her voice by putting herself at risk, the fact that it is a powerful man who abuses her seemed to us something relevant today and that she could generate catharsis and empathy, "said Ben Affleck.

"For many years women have not been seen as equal human beings and there are vestiges of that look that remain today," added the actor, screenwriter and producer of the film.

On the resonances of the #metoo, Holofcener has said that they were very The Last Duel aware of the similarity between what happens to Margarite de Carrouges and the victims of cases like Harvey Weinstein.

The search for truth, power and survival are United States, canada The Last Duel universal themes that the plot addresses.

5 8/ 10stars
Rating: IMDb  / 7.9

The Last Duel Full Movie

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